top of page

sharbreon s. plummer and lance l. smith.
requiem for black survival

cohort. 2025-26

project. Requiem for Black Survival

location. unbounded

medium. installation

Requiem for Black Survival is a call to remember the embodied practices that our ancestors stewarded across generations of perseverance. This multi-modal installation honors the workings and diasporic spiritual traditions that made their home in Black cultural memory, especially those held by Black women within the Deep South. We see this project as a conduit to a collective past, a toolkit for present times, and a beacon for the future.

Liberation-focused spiritual practitioners such as Conjure women, men, and those unbound by gender- Rootworkers- have equipped their communities with guidance, resources, and protection against systemic forms of oppression for centuries. While some practitioners were part of a closed practice, others seamlessly blended their works with quotidian life. This ever-evolving lexicon of protection has supported Black folks against subjugation in all the ways it has manifested across generations. 

 

This visual art installation highlights the material and symbolic culture(s) of Conjure and venerative practices from historical records and personal practice. Utilizing the visual language of quilting, Black cultural and spiritual symbology, and illustration, we specifically call upon viewers to reflect on their relationship to their own sovereignty and knowing while honoring the disembodied living whose seeds blossomed into the roots that fortify us today. 

Requiem for Black Survival is both an autobiographical, artistic, and venerative endeavor between artists Sharbreon Plummer & Lance L. Smith. Originally connected through creative practice, our relationship deepened into that of spiritual kinship. As we’ve cultivated our own relationships with our ori, personal workings, land, and Spirit, we’ve remained connected through our mutual honoring of our foremother and our communal empowerment through Black cultural and nature-based spiritual practice. Through this fellowship, we have created new work that not only speaks to this relational aspect of personal Conjuration methods but also draws upon Black women-led practices and materiality that serve as the foundations that continue to inform generations of Conjure workers.

rue
yarrow
hyssop
chamomile
frankincense
comfrey
bay leaf
high john
lemon balm
myrrh
black walnut
cinnamon
wormwood
dandelion
nettle
valerian

Requiem joins Sharbreon’s experience with fabric and textiles and Lance’s expertise in painting, illustration, and sculpture in an interactive installation that visually represents one’s journey into veneration, highlighting how spiritual practice can be made manifest in profound complexity in plain sight—as employed by those before us. The work takes shape as a living altar, inviting viewers to be immersed in a liminal space made alive with coded imagery, sound, and sensory activations that speak to Black diasporic Conjure traditions' deeply complex material and symbolic culture. Textile collages feature visual representations of baneful and protective workings, bookended by illustrations of the divination and spiritual mentorship that guide how we engage nature through supplications. The tableau at the rear of the altar serves as a nod to a Rootworker’s curio. The cathedral window quilt bridges the intersections of Hoodoo, Rootwork, and Black Christianity, framed by hues of blue that call to water as an element and keeper of memory, the protections of indigo, and the history of haint blue. Within this curio lie forms and artifacts that track the retention of spiritual memory across the diaspora: from playing cards and bones to balangandans and mojo bags. We hope those who experience Requiem for Black Survival will be empowered to reflect on the everyday musings of their guides and ancestral kin- knowings directly tied to sources of liberation that can fuel their own survival.

cite this project.

Projects featured on this site are the intellectual property of the Fellows who created them and may not be reproduced without their permission.

 

Please cite the creator if you use their work in support of your own. 


Citation: Plummer, Sharbreon S. and Lance L. Smith. “Requiem for Black Survival." SPIRIT HOUSE: A Crossroads Project. August 2026. Date Accessed. https://www.crossroads-spirithouse.org/plummer-and-smith

sp_2024_headshot_2_edited.jpg

Dr. Sharbreon Plummer is an independent curator, writer, and artist whose work focuses on Black art history, Southern folkways, and Black textile traditions. A few of Dr. Plummer’s curatorial projects include Of Salt and Spirit: Black Quilters in the American South (2024) and Stitching Abolition (Chicago, 2022). Sharbreon has also been featured as an Artist-In-Residence at Rogers Art Loft (Las Vegas, NV) and Arquetopia Foundation International Artist Residency Program (Oaxaca, MX). Her visual practice explores how we alchemize and archive the everyday through Black Feminist praxis. She references the South as a muse and anchor for Black embodied knowledge, inviting viewers to return home through intuitively crafted moments of stillness and contemplation.

Smith headshot_edited.jpg

Lance L. Smith is a multidisciplinary artist, muralist, and educator based in Las Vegas, NV. Their work often explores themes of loss, distortion, and liberatory practices. Smith has participated in a variety of national and international group exhibitions and has presented solo exhibitions, both past and upcoming. They have received three residencies at the Arquetopia Foundation International Artist Residency program, most recently as part of their Mentorship Program in Puebla, Mexico, as well as a residency with The Studios of Key West. In addition, Smith has developed art programming, taught classes, and facilitated workshops aimed at extending creative activities beyond the traditional boundaries of the artistic community. Appearing in national media, on community panels, as a podcast guest, and as an invited lecturer, Smiths work emphasizes the significance of recognizing one’s intuition as an essential tool for artistic expression.

bottom of page