sharbreon s. plummer and lance l. smith.
requiem for black survival
Requiem for Black Survival is a call to remembrance of collective Black embodied practice. It honors legacies of Conjuration at the hands of Black folks, especially women, beginning in the Deep South and extending throughout the diaspora. We see this project as a conduit to a collective past, a toolkit for present times, and a beacon for the future.
Liberation-focused spiritual practitioners such as Conjure men and women and Rootworkers have equipped their communities with guidance, resources, and protection against systemic forms of oppression for centuries. While some practitioners were part of a closed practice, some workers seamlessly blended their works with quotidian life, thus creating an ever-evolving lexicon of protections that morphs to cloak Black folks against subjugation in all the ways it manifests.
This visual art installation highlights the material and symbolic culture(s) of Conjure and venerative practices from historical records and personal practice. Utilizing the visual language of quilting, Black cultural symbology, and illustration, we specifically call upon viewers to reflect on their relationship to their own power and magic while honoring the ancestors whose seeds blossomed into the roots that fortify us today. Specifically, we hope those who experience Requiem for Black Survival will be empowered to reflect on the everyday musings of the mundane that are directly tied to sources of liberation that can fuel their own survival.
Requiem for Black Survival is both an autobiographical, artistic, and venerative endeavor between artists Sharbreon Plummer & Lance L. Smith. Originally connected through creative practice, our relationship deepened into that of spiritual kinship over the past six years. As we’ve cultivated our own individual work in Conjuration, we’ve remained connected through our mutual honoring of land, our foremothers, and our communal empowerment through Black cultural and nature-based spiritual practice. Through this fellowship, we have created new work that not only speaks to this relational aspect of personal Conjuration methods but also draws upon Black women-led practices and materiality that serve as the foundations that continue to inform generations of Conjure workers.
rue
yarrow
hyssop
chamomile
frankincense
comfrey
bay leaf
high john
lemon balm
myrrh
black walnut
cinnamon
wormwood
dandelion
nettle
valerian
Requiem joins Sharbreon’s experience with fabric and textiles and Lance’s expertise in painting, illustration, and sculpture in an interactive installation that visually represents one’s journey into veneration, highlighting how spiritual practice can be made manifest in profound complexity in plain sight—as employed by those before us. The work takes a booth-like structure that invites viewers to be immersed in a “living altar” made alive with coded
imagery, sound, and sensory activations that speak to Black diasporic Conjure traditions' deeply complex material and symbolic culture.




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Citation: Plummer, Sharbreon S. and Lance L. Smith. “Requiem for Black Survival." SPIRIT HOUSE: A Crossroads Project. August 2026. Date Accessed. https://www.crossroads-spirithouse.org/plummer-and-smith

Dr. Sharbreon Plummer is an independent curator, writer, and artist whose work focuses on Black art history, Southern folkways, and Black textile traditions. A few of Dr. Plummer’s curatorial projects include Of Salt and Spirit: Black Quilters in the American South (2024) and Stitching Abolition (Chicago, 2022). Sharbreon has also been featured as an Artist-In-Residence at Rogers Art Loft (Las Vegas, NV) and Arquetopia Foundation International Artist Residency Program (Oaxaca, MX). Her visual practice explores how we alchemize and archive the everyday through Black Feminist praxis. She references the South as a muse and anchor for Black embodied knowledge, inviting viewers to return home through intuitively crafted moments of stillness and contemplation.

Lance L. Smith is a multidisciplinary artist, muralist, and educator based in Las Vegas, NV. Their work often explores themes of loss, distortion, and liberatory practices. Smith has participated in a variety of national and international group exhibitions and has presented solo exhibitions, both past and upcoming. They have received three residencies at the Arquetopia Foundation International Artist Residency program, most recently as part of their Mentorship Program in Puebla, Mexico, as well as a residency with The Studios of Key West. In addition, Smith has developed art programming, taught classes, and facilitated workshops aimed at extending creative activities beyond the traditional boundaries of the artistic community. Appearing in national media, on community panels, as a podcast guest, and as an invited lecturer, Smiths work emphasizes the significance of recognizing one’s intuition as an essential tool for artistic expression.















































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